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WAVELENGTHS - Public Radio, Private Pressures
(October 24, 2001)
By Dan Kennedy, MediaChannel.org
A report that
WBUR Radio (90.9 FM) and National Public Radio have been targeted
by corporate underwriters for their alleged anti-Israeli bias
underscores a little-understood fact: so-called public radio today is,
in many respects, public in name only.
According to
an article in Wednesday's Boston Globe by media reporter Mark Jurkowitz, both Hillel Stavis, president of WordsWorth Books, in
Harvard Square, and Robert Shillman, CEO of Cognex Corporation, in
Natick, have suspended their support for the station, with
Shillman citing "a profoundly pro-Palestinian, anti-Israeli bias"
on WBUR and NPR. A third corporate underwriter, New England Mobile
Book Fair, is reportedly rethinking its contributions as well.
Business
owners and corporate executives obviously have a right to fund or
not fund programs as they see fit. What's interesting - and a
little unnerving - about the Globe report is that it reveals the
extent to which public radio has morphed from a taxpayer-funded
service into what is essentially a private, nonprofit broadcasting operation designed to serve contributors, whether they be
underwriters or ordinary listeners (see "Bobos in Radioland," News
and Features, April 27).
NPR, which
producers the drive-time news programs Morning Edition and
All Things Considered - each of which is heard by some 10 million
people every week - receives virtually none of its money from the
federal government. Instead, its $90 million budget is paid
largely in the form of fees from its 650 member stations,
including, WBUR, which is operated by Boston University.
And the
stations themselves subsist almost entirely on private money. For
instance, according to 'BUR spokeswoman Mary Stohn, less than $1.2
million of the station's $20 million budget for the fiscal year
that ended on June 30 came from federal tax money - that is, about
six percent. By contrast, $8 million came from listener
contributions, and $7.3 million came from corporate underwriting.
As the Phoenix
was going to press on Wednesday morning, WBUR general manager Jane
Christo was unavailable for comment. Stohn, asked about the
pressure from underwriters that public broadcasters find themselves
under these days, declined to address the issue directly. Of the
complaints by Stavis and Shillman, she says, "We feel that the
coverage is fair and balanced, but we respect their opinion.
They're entitled to how they feel and they're entitled to
withdraw their support."
Public radio
is a remarkable success story - and at a time when much of
commercial radio has degenerated into a merger-fueled frenzy of
offensiveness and stupidity, public stations are virtually the
last bastion of serious news and talk. But the dependence on
corporate funding raises some troubling issues.
Veteran
broadcaster Danny Schechter, executive editor of the media-watch
Web site
MediaChannel.org notes that public radio has changed from a
financially strapped grassroots medium for community activists and
students into a professional service with salaries as high as, or
sometimes higher than, the ones available in commercial radio.
With these higher costs, Schechter says, the need for corporate
money has become even more crucial. He observes, "Stations have
become dependent on this support in order to maintain their
lifestyles."
Jerry Starr,
executive director of Citizens for Independent Public Broadcasting
(http://www.cibponline.org/), advocates a "public broadcasting
trust," to be funded through a dedicated tax, that would protect
stations from corporate pressure. "Public broadcasting's complete
dependence on underwriting, which is a euphemism for commercials,
has made it vulnerable to these kinds of pressures," Starr says.
Yet the
pressure being brought to bear on WBUR does represent a kind of
rough accountability. It doesn't take much imagination to wonder
whether the accountability that Starr wants to see - national and
community boards that are "broadly inclusive" and that would
exercise real governing authority - might embrace an excess of
political correctness and a bland inoffensiveness. No improvement
there.
The ultimate
accountability should be with the listeners, who can choose to
listen or not, and to give or not, Yet as public radio is now
constituted, corporate money is absolutely essential. It's a
dilemma and not one amenable to easy answers.
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